bibliography for the haptic and artists books
bibiography for
bibliography for the fold / folding and artists books
bibliography for research methodologies and arists books
______________________________________________________
bibliography
Barthes, Roland. “The Written Face.” In Rothenberg, A Book of the Book, 311–12.
Benjamin, Walter. Illuminations, translated by Harry Zohn. New York: Schocken Books, 1968.
"A Short History of Photography." Screen 13, no. 1 (1972): 5–26.
Bhabha, Homi K. The Location of Culture. London: Routledge, 1994.
Bodman, Sarah. Artists Books Creative Production and Marketing. Bristol: Impact Press, 2005.
Creating Artists’ Books. London: A&C Black, 2005.
Bodman, Sarah, and Tom Snowden. A Manifesto for the Book. Bristol: Impact Press, the Centre for Fine Print Research, 2010.
Bright, Betty. No Longer Innocent: Book Art in America 1960–1980. New York: Granary Books, 2005.
Brokaw, Cynthia J., and Kai-wing Chow, eds. Printing & Book Culture in Late Imperial China, California: University of California Press, 2005.
Burkus-Chasson, Anne. "Visual Hermeneutics and the Act of Turning the Leaf." In Brokaw, Printing & Book Culture in Late Imperial China, 371–416.
Bury, Steven. Artists' Books: The Book as a Work of Art, 1963–1995. Brookfield: Aldershot Scolar
Press, 1995.
Carey, James W. "Walter Benjamin, Marshall McLuhan, and the Emergence of Visual Society."
Prospects: An Annual of American Cultural Studies 12 (1987): 29–38. doi:10.1017/S036123330000524X
Carrión, Ulisses. Quant aux livres, On Books, assembled by Juan J. Agius. Genéva: Éditions
HÉROS-LIMITE, 1977.
———. Second Thoughts (Ulisses Carrión and the In and Out Centre). Amsterdam:
VOID Distributors, 1980.
Castleman. Riva. A Century of Artists’ Books. New York: Museum of Modern Art, 1994.
Catalano, Gary. The Bandaged Image. Sydney: Hale & Iremonger, 1983.
Cavell, Richard. McLuhan in Space. Toronto: University of Toronto Press, 2002.
Celant, Germano. Book as Artwork: 1960–72, translated by Corine Lotz. In Guest, Books by Artists,
85–104.
Chen, C. F, and Y. F. Tung. "Representation of Einstein’s Relativity by Smith’s Chart."
Proceedings from Progress in Electromagnetics Research Symposium, Cambridge, USA,
2–6 July 2008, 41–45.
Clay, Steven., When Will the Book Be Done? New York: Granary Books, 2001.
Colebrook, Claire. "Derrida, Deleuze and Haptic Aesthetics." Derrida Today 2, no. 1 (2009):
22–43.
Collins, Harry. Tacit and Explicit Knowledge. Chicago: University of Chicago Press, 2010.
Colombat, André Pierre. "A Thousand Trails to Work with Deleuze." SubStance 20, no. 3 (1991):
10–23.
Compton, Susan. The World Backwards, Russian Futurists Books 1912–16. London: British
Museum Publications, 1978.
Cunningham, Kim. 2011. "This Is Not a Hat: Towards a Haptic Methodology in Fashion Theory."
Fashion Forward–Critical Issues, edited by Alissa de Witt-Paul & Mira Crouch. Oxford: Inter-
Disciplinary Press. 2011. http://www.inter-disciplinary.net/critical-issues/galaxy.hua.gr/~egeorg/publications/FashionForward1ever109132011.pdf#.
Deleuze, Gilles. The Fold: Leibniz and the Baroque. Translated by Tom Conley. Minneapolis:
University of Minnesota Press, 1993.
———. Francis Bacon: The Logic of Sensation. Minneapolis: University of Minnesota
Press, 2003.
Deleuze, Gilles, and Felix Guattari. A Thousand Plateaus. London; Continuum, 2013.
Derrida, Jacques. Dissemination. Translated by B Johnson. Chicago: University of Chicago Press, 1981.
———. Memoirs of the Blind. Chicago: The University of Chicago Press, 1993.
———. On Touching: Jean-Luc Nancy. Translated by Christine Irizarry. California: Stanford
University Press, 2005.
———. Paper Machine. California: Stanford University Press, 2005.
Desjardin, Arnaud, and Anne Moeglin-Delcroix. "Bibliographies and Other Questions:
A Correspondence.” Art Libraries Journal 38, no. 3 (2012): 42–44.
Drucker, Johanna. "The Artist's Book as Idea and Form." in Rothenberg, The Book of the Book,
376–88.
———. “Beyond Velveta.” The Bonefolder 2, no. 1 (Fall 2005): 10–11.
———. The Century of Artist's Book. New York City: Granary Books, 1995.
———. "Critical Issues / Exemplary Works". The Bonefolder 1, no. 2 (2005): 3–15.
———. Figuring the Word. New York City: Granary Books, 1998.
———. The Visible Word Experimental Typography and Modern Art. Chicago:
University of Chicago Press, 1994.
Eisenstein, Elizabeth. The Printing Revolution in Early Modern Europe. Cambridge: Cambridge
University Press, 2000.
Fisher, Jennifer. "Relational Sense: Towards a Haptic Aesthetics." PARACHUTE 87 (July 1997):
4–11.
———. "Tactile Affects." Tessera 32 (Summer 2002): 17–28.
pi.library.yorku.ca/ojs/index.php/tessera/issue/view/1514/showToc
Foucault, Michel, and Donald Fernand Bouchard, eds. Language, Counter-Memory, Practice:
Selected Essays and Interviews. PLACE: Cornell University Press, 1980.
Foucault, Michel, and Gilles Deleuze. "Intellectuals and Power." Language, Counter-Memory,
Practice (1977): 205–17.
Frost, Gary. “Reading by Hand: The Haptic Evaluation of Artists’ Books.” The Bonefolder 2, no. 1
(Fall 2005): 3–6.
Ganette, Gerard. Paratexts: Thresholds of Interpretations. Translated by J. E. Lewin. PLACE:
Cambridge University Press,1997.
Gibson, James J. "The Perception of Visual Surfaces." The American Journal of Psychology 63, no. 3
(July 1950): 367–84.
Glazier, Loss Pequeño. Digital Poetics: The Making of E-poetries. Tuscaloosa: University of Alabama Press, 2002.
Greenblatt, Stephen. "Resonance and Wonder." Bulletin of the American Academy of Arts and
Sciences 43, no. 4 (1990): 11–34.
Greenblatt, Stephen. “The Touch of the Real.” Representations 59 (Summer 1997): 14–33.
Gubser, Mark. "Time and History in Alois Riegl's Theory of Perception.” Journal of the History of
Ideas 66, no. 3 (July 2005): 451–74.
Guest, Tim, ed. Books by Artists. Toronto: Art Metropole, 1981.
Habermas, Jürgen. Religion and Rationality: Essays on Reason, God, and Modernity. Cambridge,
MA: MIT Press, 2002.
Hart, Kevin. "Horizons and Folds: Elizabeth Presa." Contretemps 2 (May 2002): 171–75.
www.sydney.edu.au/contretemps/2may2001/hart.pdf
Helliwell, David. "The Repair and Binding of Old Chinese Books." The East Asian Library Journal
8, no. 1 (1998): 27–149, http://gest.princeton.edu/EALJ/helliwell_david.ealj.v08.n01.p027.pdf
Hetrick, Jay. "What Is Nomad Art? A Benjaminian Reading of Deleuze's Riegl." Deleuze Studies
6, no. 1 (2012): 27–41. DOI: 10.3366/dls.2012.0044
Honeybone, Ian. Card Engineering. London: Outline Press, 1990.
Hochulli, Jost. Designing Books: Practice and Theory. London: Hyphen Press, 2003.
Hubert, Rene. The Cutting Edge of Reading: Artists’ Books. New York City: Granary Books, 1999.
———, ed. Visible Language, special issue “The Artists Book: The Text and Its Rivals.” 25, no. 2/3
(April 1991).
Klima, Stefan. Artists Books: A Critical Survey of the Literature. New York City: Granary Books,
1998.
Lauf, Cornelia, Clive Phillpot, and American Federation of Arts. Artist/Author: Contemporary Artists'
Books. New York: Distributed Art Publishers, 1998.
Lewis, David. We the Navigators. Canberra; Australian National University Press, 1975.
Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley:
University of California Press, 1997.
Lyons, Joan, ed. Artists' Books: A Critical Anthology and Sourcebook. New York: Visual Studies
Workshop Press & Peregrine Smith Books, 1985.
Maffei, Georgio, and Maura Picciau. The Book as a Work Of Art. Rome: Edizioni Corraini, 2008.
McLuhan, Marshall. The Gutenberg Galaxy. London: Routledge & Kegan Paul, 1967.
———. Understanding Media, Routledge Classics: New York, 2001.
McLuhan, Marshall, and Quentin Fiore. The Medium Is the Message: An Inventory of Effects.
San Francisco: Hardwired, 1996.
Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of
Minnesota Press, 2005.
Mitchell, W. J.Thomas. Iconology Image, Text, Ideology. Chicago: Chicago University Press,
1986.
Moeglin-Delcroix, Anne. Guardare, Raccontare, Pensare, Conservare [Looking, Telling, Thinking,
Collecting]. Mantova: Casa del Mantegna, 2004.
Morgan, Robert C. Commentaries on the New Media Arts: Fluxus & Conceptual Art, Artist's
Books, Correspondence Art & Video Art. Santa Monica CA: Umbrella/Banana, 1992.
Nelson, Cary, and Lawrence Grossberg, eds. Marxism and the Interpretation of Culture.
Bassingstoke: Macmillan Education, 1988.
Nye, Andrea. Philosophia. Routledge; New York, 1994.
O'Neill, Måire Eithne. "Corporeal Experience: A Haptic Way of Knowing." Journal of Architectural
Education 55, no. 1 (September 2001): 3–12.
Parker, D.C, Codex Sinaiticus. The British Library/Hendrickson; London, 2010.
Paton, David. "The Book as a Community of Practice: Some Thoughts on the Research Project A
Manifesto for the Book, What Will be the Canon for the Artist’s Book in the 21st Century?"
In On Making. Integrating Approaches to Practice Led Research in Art and Design.
Johannesburg: University of Johannesburg, Faculty of Art, Design and Architecture Research
Centre, Visual Identities in Art and Design, 2010.
———. "Ideologies and Identities in Digital Artists’ Books: Parallels between Charles
Sandison’s Carmina Figurata and Willem Boshoff’s Kykafrikaans." In Imaging Ourselves:
Visual Identities in Published in Imaging Ourselves: Visual Identities in Representation, 66–
83. Johannesburg: The Research Centre, Visual Identities in Art and Design, University of
Johannesburg, 2009.
http://www.theartistsbook.org.za/downloads/published_ideologies_identities.pdf
Patterson, Mark. "The Forgetting of Touch.” Angelaki: Journal of the Theoretical Humanities
10, no. 3 (December 2005): 115–32.
———. The Senses of Touch. Oxford: Berg Publishers, 2007.
Patton, Paul, and John Protevi, eds. Between Deleuze and Derrida. London: Continuum, 2003.
Patton, Paul, and Terry Smith, eds. Deconstruction Engaged. Sydney; Power Publications, 2001.
Perrée, Rob. Cover to Cover: The Artists Book in Perspective. Rotterdam: Nai Publishers, 2002.
Peters, John Durham. "McLuhan’s Grammatical Theology." Canadian Journal of Communication
36, no. 2 (2011). cjc-online.ca/index.php/journal/article/viewArticle/1967.
Petr, Mark. "Prints, Politics, Polemics." In Hot off the Press: Prints & Politics, edited by [first name]
Tyler, 87–93. Place: Publisher, 1994,.
Plotnitsky, Arkady. 2003. "Algebras, Geometries and Topologies of the Fold: Deleuze, Derrida
and Quasi-Mathematical Thinking (with Leibniz and Mallarmé)." in Patton, Between
Deleuze and Derrida, 98–119.
Polanyi, Michael. The Tacit Dimension. Gloucester Mass: Peter Smith, 1983.
Prytherch, David. "Weber, Katz and Beyond: An Introduction to Psychological Studies of Touch
and the Implications for an Understanding of Artists’ Making and Thinking Processes."
Research Issues in Art Design and Media no. 2 (Spring 2002).
www.biad.bcu.ac.uk/research/rti/riadm/index.html.
Prytherch, David, and Bob Jerrard. "Haptics, the Secret Senses: The Covert Nature of the Haptic
Sense in Creative Tacit Skills". Proceedings of Eurohaptics 2003. Dublin: Trinity College,
2003, 384-395. www.eurohaptics.vision.ee.ethz.ch/2003.shtml.
Quiviger, François. The Sensory World of Italian Renaissance Art. London: Reaktion Books,
2010.
Richard, Frances. "Tactical Antagonisms." art on paper (November/December 2009): 23–26.
Rollason, Christpher, and Rajeshawar Mittapalli, eds. Modern Criticism. New Delhi: Atlantic
Publishers and Distributors. 2002.
Rollason, Christopher. "The Passageways of Paris Walter Benjamin's Arcades Project and
Contemporary Cultural Debate in the West". In Rollason, Modern Criticism, 262–96.
Rossman, Jae., ‘Reading Outside the Lines: Paratextual Analysis and Artists’ Books.” Journal of
Artists Books 23 (Spring 2008): 31–41.
Rothenberg, Jerome, and Steven Clay, eds. A Book of the Book. New York: Granary Books, 2000.
Scarry, Elaine. On Beauty and Being Just. Princeton: Princeton University Press, 1999.
Schalkwyk, David. Literature and the Touch of the Real. Newark: University of Delaware Press,
2004.
Shaw, Tate. “Enfolded by Holes a Diagram of Openings.” The Blue Notebook 3, no. 1 (October
2008): 62–71.
Smith, Keith. Structure of the Visual Book. New York: Keith Smith, 1984.
———. Text in the Book Format. New York: Keith A Smith, 1995.
Spears, Katherine, ed. Tianshu: Passages in the Making of a Book. London: Quaritch, 2009.
Spector, Buzz. The Book Maker's Desire. Santa Monica, CA: Umbrella Editions, 1995.
Spivak, Gayatri Chakravorty. "Can the Subaltern Speak?" In Nelson, Marxism and the
Interpretation of Culture, 271–313.
Stepanova, Masha. "Disciplinary Duality: The Contested Terrain of Book Studies." Publishing
Research Quarterly 23 (2007): 105–15. www.springerlink.com/content/g949j20m74263x82.
Tasillo, Mary. "Shaping a New Critical Discourse for the Field." Journal of Artists Books 22 (Fall 2007):
12–13.
US Department of State. “Bouncing Back, Transition and Re-Entry Planning for the Parents of
Foreign Service Youth.” Family Liaison Office, United States Department of State, Washington, 2013. www.state.gov/documents/organization/199652.pdf.
Van Vliet, Claire, and Elizabeth Steiner. Woven and Interlocking Book Structures. Newark: Janus
Gefn, 2002.
Warnke, Uwe. "The state of Things: Free and in Flux–Book Art in Germany at the Beginning of
the 21st Century." Journal of Artists Books 16 (Fall 2001): 11.
Weisberg, Ruth. “The Absent Discourse: Critical Theories and Printmaking.” The Tamarind
Papers 13 (1990): 8–10.
———. “The Syntax of the Print: In Search of an Aesthetic Context.” The Tamarind
Papers 9 (1986): 52–60.
Wood, Christopher S. "Riegl's ‘Mache’." RES: Anthropology and Aesthetics 46 (2004): 154–72.
webspace.yale.edu/wood/documents/rieglsmache.pdf.